Orifice Book One of the Lola Trilogy D N Stuefloten 9781520319773 Books


A man, an aging, world-weary traveler, is living in the ruins of a whorehouse deep in the jungle in Central America. He has with him Lola, a young American girl, blonde, slender, innocent in the way only American girls can be innocent. He has her act out his memories--perhaps his dreams, his fantasies--of the whores he had known here, in this same building, as a young man. She strolls, naked except for her high-heeled shoes, down decrepit corridors smelling of rotting wood. She slides stockings onto her legs. The ghosts of whores-past revile her and taunt her....
Orifice Book One of the Lola Trilogy D N Stuefloten 9781520319773 Books
This is one part of a trilogy, The Hag, and Autobiography of a Wanderer, being the other two titles. I have read all three and happened to start with this one, but it does not seem to matter what order one does read them in. They all deal with the same theme and share characters.If you want to be shocked, read this - read any and all of Stuefloten's work. His work is shocking, daring, treading on forbidden ground. But I find his explorations into taboo realms refreshing, invigorating, extremely literary, disturbingly beautiful. His prose is poetic, full of color and vibrancy even though his subject matter is dark and often psychologically painful.
I imagine many people, especially women, might be easily alarmed and even horrified as they start their read, but this would be a very superficial and reactive response. The easy, knee-jerk assessment might be to say his writing demeans women and that the novels' narrator is abusing and dis-empowering the female characters. But I think this would be a highly unjustified interpretation. His writing affects the reader at such a deep emotional level that any reader with sensitivities regarding sexual themes might just be overwhelmed, and not read dispassionately enough to see that indeed his female characters wield all the power and the man, the narrator, is powerless in their presence. All three novels of the trilogy deal with the man, the narrator's, obsessive search for a transcendent fulfillment through his encounters with women. He never seems to find it. He remains ever caste out from that sacred realm he strives to enter via the mundane act of a man sexually entering a woman. The Feminine is the wielder of omnipotence and wisdom in these novels, not man.
The prose of this novel reaches levels of the sublime and is incredibly tactile and image evoking. The story is set in some imaginary land saturated with an entrancing beauty, outside the boundaries of rationality. It circles around and around on itself and the characters seem trapped, unable to ever escape or go anywhere because they have ventured beyond the land of linear time. I suggest you take that same journey and experience something not usually encountered between the pages of a book.
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Tags : Orifice: Book One of the Lola Trilogy [D. N. Stuefloten] on Amazon.com. *FREE* shipping on qualifying offers. <div>A man, an aging, world-weary traveler, is living in the ruins of a whorehouse deep in the jungle in Central America. He has with him Lola,D. N. Stuefloten,Orifice: Book One of the Lola Trilogy,Independently published,1520319770,Fiction General,Fiction Literary
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Orifice Book One of the Lola Trilogy D N Stuefloten 9781520319773 Books Reviews
This is one part of a trilogy, The Hag, and Autobiography of a Wanderer, being the other two titles. I have read all three and happened to start with this one, but it does not seem to matter what order one does read them in. They all deal with the same theme and share characters.
If you want to be shocked, read this - read any and all of Stuefloten's work. His work is shocking, daring, treading on forbidden ground. But I find his explorations into taboo realms refreshing, invigorating, extremely literary, disturbingly beautiful. His prose is poetic, full of color and vibrancy even though his subject matter is dark and often psychologically painful.
I imagine many people, especially women, might be easily alarmed and even horrified as they start their read, but this would be a very superficial and reactive response. The easy, knee-jerk assessment might be to say his writing demeans women and that the novels' narrator is abusing and dis-empowering the female characters. But I think this would be a highly unjustified interpretation. His writing affects the reader at such a deep emotional level that any reader with sensitivities regarding sexual themes might just be overwhelmed, and not read dispassionately enough to see that indeed his female characters wield all the power and the man, the narrator, is powerless in their presence. All three novels of the trilogy deal with the man, the narrator's, obsessive search for a transcendent fulfillment through his encounters with women. He never seems to find it. He remains ever caste out from that sacred realm he strives to enter via the mundane act of a man sexually entering a woman. The Feminine is the wielder of omnipotence and wisdom in these novels, not man.
The prose of this novel reaches levels of the sublime and is incredibly tactile and image evoking. The story is set in some imaginary land saturated with an entrancing beauty, outside the boundaries of rationality. It circles around and around on itself and the characters seem trapped, unable to ever escape or go anywhere because they have ventured beyond the land of linear time. I suggest you take that same journey and experience something not usually encountered between the pages of a book.

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